Hannah Arendt’s notion of the political as being founded on instances where citizens gather, exposed to the “common world” found in speaking and acting in concert with each other, forms the basis for a deeply probing view onto questions of agency. Arendt strives, particularly in her work The Human Condition, to provide a greater historical arc (based upon concepts and conditions of the Greek polis) to the topics of political life and public formations, grounding these in what she calls “the space of appearance,” which acts as an essential framework within which “speech and action” are produced and shared.

“The polis, properly speaking, is not the city-state in its physical location; it is the organization of the people as it arises out of acting and speaking together, and its true space lies between people living together for this purpose, no matter where they happen to be.”

In this sense, “the political realm” arises from between people speaking and acting together, and is formed around “the space where I appear to others as others appear to me.”

Arendt’s construction of the political realm necessitates an understanding of “public reality” as one of exposure; as she states: “For us, appearance – something that is being seen and heard by others, as well as by ourselves – constitutes reality.” This bringing into appearance is fundamental to the political realm, for it is here, under the “harsh light” of being public, that matters of the common world are worked out.

Arendt, H in LaBelle, B. (2018) Sonic agency: Sound and emergent forms of resistance. 1st edn. Cambridge: Goldsmiths, University of London.


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